Beyond the Wall Text: Contextualizing Carpeaux’s Why Born Enslaved! | by Cleveland Museum of Art | CMA Thinker
By Key Jo Lee, associate curator of American artSome of the reasons why curators place certain objects in certain places...
By Key Jo Lee, associate curator of American artSome of the reasons why curators place certain objects in certain places...
By Michelle Orioha, CMA Student GuideThe CMA Student Guide Program is the museum’s undergraduate training program. Students learn close-looking and...
By Sara Kunkemueller, Digitization Intern, Ingalls Library and Museum Archives This summer, I joined the Ingalls Library and Museum Archives...
By Sydney Slacas, Assistant Registrar When you visit the Cleveland Museum of Art, have you ever thought about who cares...
By Marissa Maynard The Cleveland Museum of Art’s (CMA) superb photography collection encompasses the history of the medium and offers...
By Yiwen Liu, CMA Curatorial Research AssistantAs a series of prequels to the Harry Potter movies, a third movie in...
Robin Hanson, Conservator of Textiles and Sarah Scaturro, Eric and Jane Nord Chief Conservator Figure 1: Three of the four...
By Matthew Gengler, Access Services and Reference Librarian In a pivotal scene from The Kid from Cleveland, actors George Brent...
By Dr. Tameka Ellington, Speaker, Author, and Cocurator of “TEXTURES: the history and art of Black hair”People of African descent...